Examples of Roman sculpture are abundantly preserved, in total contrast to Roman Frescoes, which were widely produced but have almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. While a great deal of Roman sculpture, especially in stone, survives more or less intact, it is often damaged or fragmentary; life-size bronze statues are much more rare as most have been recycled for their metal.

Roman Portraiture will be dealt with in a separate section.
As the expanding Roman Republic began to conquer Greek territory, at first in Southern Italy and then the entire Hellenistic world, sculpture became largely an extension of the Hellenistic style, from which specifically Roman elements are hard to disentangle, especially as so much Greek sculpture survives only in copies of the Roman period.

2. Menelaus supporting the body of Patroclus, Roman copy of Hellenistic original, Loggia dei Lanzi, Florence. (c) Morio
3. Barberini Faun, Roman copy of Hellensitic original. Glyptotek, Munich.
4. Diana of Versailles. Roman copy of a lost Greek bronze original attributed to Leochares, c. 325 BC. (c) Commonist
5. Ludovisi Ares. Roman 2nd c. AD copy of a late 4th c. BC Greek original, associated with Scopas or Lysippus. Palazzo Altemps, Rome.
6. Dying Gaul. Roman copy of Hellenistic bronze original. (c) ChrisO
Reliefs
The Romans did not generally attempt to compete with free-standing Greek works of heroic exploits from history or mythology, but from early on produced historical works in relief.

Spoils of Jerusalem. Relief from the Arch of Titus, Rome. (c) Dnalor 01 A Roman naval bireme depicted in a relief from the Temple of Fortuna Primigenia, Praeneste. Vatican Museum. Detail from the Ahenobarbus relief showing two Roman soldiers, c. 122 BC. Louvre. Relief of the Pompeii earthquake from the Forum of Pompeii. (c) Pompeii Sites
Triumphal Columns
Roman reliefs were taken to a new level in the 2nd c. AD, when the emperors Trajan and Marcus Aurelius commissioned their famous columns to commemorate their military campaigns, which consisted of continuous narrative reliefs winding around them.
Detail of Trajan’s Column, commemorating the Dacian Wars (101-2 & 105-6 AD). Detail of the Column of Marcus Aurelis, commemorating the Marcomannic Wars (166-180 AD).
Sarcophagi
Marble and limestone sarcophagi elaborately carved in relief were characteristic of elite Roman inhumation burials from the 2nd-4th c. AD.

Dionysus on his panther, flanked by the Four Seasons, c. 220–230 AD. Metropolitan Museum of Arts. (c) Typhon2222 Abduction of Persephone, c. 230–240 AD. Capitoline Museum. (c) Typhon2222 The massacre of Niobeʼs children, c 160 AD. Glyptothek. (c) Typhon2222
At least 10,000 Roman sarcophagi have survived, with fragments possibly representing as many as 20,000. Although mythological scenes are frequent, sarcophagi reliefs also depict the deceased’s occupation, military scenes and other subject matter.

Sarcophagus of Helen, mother of Constantine, c. 330 AD. Victorious Roman cavalry riding above captured barbarians. Vatican Museum. (c) Jean-Pol Grandmont Garlanded sarcophagus, c. 220-225 AD. Metropolitan Museum of Arts. Sarcophagus of Greek physician, c. 300 AD. Metropolitan Museum of Arts.